If I sleep with a pen in my hand, don't remove it, I might be writing in my dreams.
~Danzae Pace
Sarah Sheard | Writer

Sarah Sheard, Writer and Therapist
I have written and published three literary novels. I am currently drafting my fourth. By literary, I mean that they seek to tell their own stories in a way that can’t readily be reduced to formula or niche-labeling. Each followed and created the unique shape their story demanded of them.

That said, of course I’m merely continuing the conversation literary novels have been having with one another since writing began and certainly since I began to read novels in order to understand the worlds inside people.
journalism
Sarah's Views
Angels and Devils
“We all have them in our psyches, competing for space.  Sometimes the devils are in charge—say, at 3 a.m., in that dark night of the soul.  At other times the angels take over and guide us through hours and hours of the most difficult work.”
Read entire Angels and Devils article
Rejection
“Rejection stings like hell. When we were kids, it was a matter of life and death to be liked — by family, teachers and friends — but we quickly found out that the world could be cruel and scrambled for ways to toughen our hides.”
Read entire Rejection article

book reviews
Wrong About Japan
Book by Peter Carey
Read entire Book Review
Leonard Woolf: A Biography
Book by Victoria Glendinning
Read entire Book Review
Be Near Me
Book by Andrew O'Hagan
Read entire Book Review
upcoming novel
Krank
It is January, 2009, and Bertolt Brecht finds himself reincarnated on the Ward's Island ferry dock in Toronto, Canada. He befriends Ainsley Giddings, a woman who has just moved into the cottage she's leased on Ward's. A Gestalt therapist on sabbatical, Ainsley wants to be alone on her year-long island retreat. Brecht, intoxicated by his unexpected gift of renewed existence, wants to sing, philosophise and make love.

Their agendas quickly square off against one another. Mixing into their eccentric affair are island airport politics, Ainsley's exertions at translating modern life to Brecht, and finally their fateful trip to Berlin where time takes another half-twist around these two. Past pierces Present in a startling conclusion that may help explain what brought Brecht and Ainsley together.
Read an excerpt from Krank
sarah's writing
fiction/novels
Almost Japanese
Summary: Emma discovers that her new next door neighbour is a dazzling Japanese orchestra conductor. Things Japanese soon begin to transform Emma and estrange her from her own world.
more about Almost Japanese
The Swing Era
Summary: A compelling story of a woman bound to her family by all the familiar complicated ties of love and obligation — and by a history of family madness that entrapped her lovely willful mother and now haunts her own life.
more about The Swing Era
The Hypnotist
Summary: Drawn together by mutual friends and a shared love of art, Signe, a talented photographer, and WIlliam, a psychiatrist, construct a private and passionate world of two. Driven by a need to penetrate the mystery of this man, Signe tries to crack the code of his carefully guarded world of hypnosis and psychotherapy.
more about The Hypnotist
sarah's views
Writing at Home

Previously Published in TWUC (The Writers' Union of Canada) Newsletter
Writing at home is hard. It's, like, a focus problem. The path to the desk is paved with great distractions. There's that rental video due back so maybe you should watch it right now. The morning paper demands to be read because there's a political crisis you need to know about right now. Followed by answering e-mail, researching on the Net, brushing your dog's bicuspids while ostensibly waiting for your work-in-progress to boot up...

The list lengthens to include whatever you, a creative person, can get up to in avoidance of your writing. Any benefit-conferring activity using up writing time qualifies as procrastination and in fact, these are all low-level procrastination devices.

Why do you procrastinate? Procrastination works. It quickly produces a satisfying glow of shortterm accomplishment. Your writing, on the other hand, is gratification deferred, cubed. Books usually take years of steady effort to complete with a considerable wait after that for the warm runnies of publication. It's risky work too. There may never be a big payoff and possibly only pricks instead of kudos.

So your writing sits waiting on your desk, unable to offer you anything like the satisfaction of a load of laundry folded and put away, despite the lump of anxiety forming in your stomach at how little you've accomplished yet today, despite your intention and your talent.

The real problem is that your house is full of your personal life: the exercycle reminds you of how out of shape you are, the bottle of wine on the counter says you drink too much, the bills make you anxious about money and your partner's clothes and books piled up everywhere rub in that you're a bedhead shuffling around in a sweatshirt while Partner is out there in the real world making the big bucks.

Or maybe you're prosperous and terrific, trim and well-loved, so blissfully content with each day that you've come to suspect it's your happiness that hampers you, harder to let go of than misery in order to engage productively with your book.

So you go to your writing space and do all the right writing things. You make the decor as different from your living space as possible. You get self-assembling home office furniture from you-know-where, turn off the phone's ring, pull on your writer's fedora, and boot up the computer.

And it's still hard. You're still at home. The dog knows this too. He's pulling you towards the door with his black velvet eyes. You can't help thinking: if I only had a little room across town, and a bus ride, and a time clock to punch and a window looking out onto an alleyway or a birch grove, I'd write mounds.

Sure, you might, but for most of us that expense is out of the question. For most of us working at home is a necessity. Most of us have to make it work. We have no choice.

Realizing you have no choice makes starting in to work somewhat easier.You set your goal of two, three, or five pages a day, assuming that at least a few paragraphs will be keepers. A slow but steady accumulation over a year and you'll have a satisfying stack of pages.

But of course it's possible that, at the end of the month, you might look at those pages and find none of them particularly satisfying. If so, ask yourself, is this the writer or the depressed homebody who thinks that? Chances are, it's the latter. Chances are, there actually is some good stuff in that pile.

Writing often doesn't feel particularly enjoyable or easy. Writing at home can make it even less enjoyable. But if you have no choice, then onward you must go. No day must pass without writing, you vow. Unless you are a complete mediocrity, you're bound to create something salvageable from your stack of pages, even working at, say, fifty per cent of your potential. When you see what you've achieved and can feel the momentum, it becomes easier to push on to the finish line. Once over the halfway mark, the job begins to shrink. You're no longer daunted. You hardly notice where you're working but only that you are working, day after day.

Unless of course you're not. If none of the above sounds familiar or reflects at least some of your own experience, here may be something else impeding your creative life. The fears and misgivings that are all around you in the house really may be on a deeper level and about something else which would likely push you towards a crisis of some kind no matter where you worked.

Get outside and take a long walk, sit in the sunshine somewhere and decide once and for all if there truly is something big blocking you, something bigger than ordinary low-level procrastination. If there is, you may want to go get some help. Maybe what you have been avoiding isn't about writing but the big personal problem you need to address in order to free yourself up to write.

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Tools Just For Writers
coaching and therapy
Therapy is simply being in a quiet, airy room with an attentive and actively supportive/challenging listener for an uninterrupted hour.
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workshops
Writing Mentor
I offer specific and supportive feedback on the substantive issues of structure, character development, style and pacing.
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Writing Around the Bend
Strategies for Handling Writers' Issues Creatively
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Riverdale Area
Workshops Network

Workshops are also offered through Riverdale Area Workshops Network. Please check their calendar for Sarah’s upcoming workshops.
The Riverdale Area Workshops Network